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Records are sorted by Author in alphabetic order. All books subject to copyright by the Centre for byzantology studies.
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Andon Shahpaski
Toward the end of 2010 a few psaltic art manuscripts written by Andon Shahpaski were discovered in the church of "Dormition of Virgin Mary" (village of Smojmirovo, Republic of Macedonia). This collection of manuscripts is much older than the one previously discovered in 2003. Amongst the majority of writings in Church Slavonic language, there are also a small number of compositions written in Greek language. This book is ready for publishing under the title of "Psaltica". In addition to the newly discovered manuscripts, this compilation also contains compositions from the two already published books on Andon Shahpaski, "Short book of Resurrection Hymns" (2004) and "Liturgical chants collection" (2006).
Andon Shahpaski
Following the publishing of part one titled “Short book of Ressurection hymns”, Jane Kodjabashia continued his work on the second part of the manuscript, along with further research on Shahpaski - the newly discovered author from the period of the Macedonian musical renaissance. This additional research resulted in creation and publishing of the second book, "Liturgical chants collection" with an extended introduction to Shahpaski's life and authorship.
Andon Shahpaski
Until a few years ago, Andon Shahpaski’s name (born in the village of Smojmirovo, Maleshevo region in Macedonia, approx. 1860-1928) was completely unknown to Macedonian music history. As a result of Kodjabashia’s discovery of a musical manuscript and a few liturgical books from Shahpaski’s library, Macedonian musical heritage was enriched with a new set of artefacts and scientific evidence.
Shortly after this discovery, the Centre for Byzantology studies released part one of this magnificent manuscript, titled “Short book of Ressurection hymns”.
Dimitar Zlatanov Gradoborski
Until Jane Kodjabashia’s discovery of the manuscript “Psaltic guide” in 2003, Dimitar Zlatanov – Gradoborski (approx. 1800-1887) was known in Byzantine musicology by only two compositions, already issued in a number of Macedonian Church music publications. Initially published by Gradoborski in Greek language in 1886 in Thessaloniki – the original contains tens of Gradoborski’s own compositions affirming him as one of the most significant authors of liturgical chants in the Eastern Orthodox world. Professor Jane Kodjabashia transliterated and translated Gradoborski’s original work and published the aforementioned book, making it available to the wider scientific and cultural audience in Macedonia and abroad for the first time in one hundred and twenty years.
Jane Kodjabashia
This book is a compelling study on centuries-long development of the Church music in Macedonia and its most significant emissaries. It also reveals some authors, unknown before publication of this book.
Jane Kodjabashia
Following the publishing of “Theory and practice of Church singing from Byzantine tradition” and “Study guide for Eastern Church singing” in 2004, this is the third theoretical text, essential in the process of studying Church singing of Byzantine tradition. In his most recent book, Dr Jane Kodjabashia fuses the theoretical perspectives of the most renowned Macedonian Church music instigators, as well as certain theorists from Bulgaria, Greece and Romania combining them into a scientific construct, which outlines the base characteristics of the Eastern Church Singing and its orthography.
Jane Kodjabashia
In 1997, a group of scholars headed by Dr Jane Kodjabashia formed the Centre for Byzantology studies. Through its program of work, which involves conducting activities such as courses for Eastern Church singing as well as publication of theoretical and practical books on Church singing of Byzantine tradition, the Centre began the restoration process of the traditional Church singing in Macedonia introducing it as a new subject in religious studies. These publications solved the problem of a shortage of adequate literature on the subject of Church singing within religious studies. At present, these publications are widely used throughout Macedonia, but also in Serbia, Bosnia and Bulgaria as well as other regions and institutions that deal with orthodox Christian music heritage. Both the "Theory and practice of Church singing from Byzantine tradition (2004)" as well as the "Study guide for Eastern Church singing (2004)" are available for download
Jane Kodjabashia
In 1997, a group of scholars headed by Dr Jane Kodjabashia formed the Centre for Byzantology studies. Through its program of work, which involves conducting activities such as courses for Eastern Church singing as well as publication of theoretical and practical books on Church singing of Byzantine tradition, the Centre began the restoration process of the traditional Church singing in Macedonia introducing it as a new subject in religious studies. These publications solved the problem of a shortage of adequate literature on the subject of Church singing within religious studies. At present, these publications are widely used throughout Macedonia, but also in Serbia, Bosnia and Bulgaria as well as other regions and institutions that deal with orthodox Christian music heritage. Both the "Theory and practice of Church singing from Byzantine tradition (2004)" as well as the "Study guide for Eastern Church singing (2004)" are available for download
Joan Harmosin Ohridski
This musicology dissertation is a result of Kodjabashia’s many years of research into the life and authorship of Joan Harmosin Ohridski (1829 - 1890).The book contains the majority of Joan Harmosin’s compositions, transcribed in both Byzantine and modern European music notation.
Kalistrat Zografski
The collection of “Eastern Liturgical Chants” in four parts is a result of Kalistrat Zografski’s (cca.1820 – 1913) many years of work as a theorist, author, translator and writer. This collection has earned Kalistrat great respect amongst the relevant musical circles at that time. These works have been published in two books: "Eastern Liturgical Chants – Vespers and Matins (2005)" and "Eastern Liturgical Chants - Liturgy and Resurrection Hymns (2005)" and are available for download.
Kalistrat Zografski
The fourth part of Zografski's collection of “Eastern Liturgical Chants” - Lithurgy, has great significance for the Macedonian Church music, attributable to the music creations by Dimitar Zlatanov – Gradoborski, Joan Harmosin – Ohridski and Kalistrat Zografski as Macedonian authors.
Vasil Ivanov Bojadziev
Vasil Ivanov Bojadziev (1876 - 1950) is the final legate in the sequence of great Macedonian Church singing representatives. His collection of Church music preserved as a manuscript is a synthesis of all ressurectal psalts published before his time. It appears that Vasil Ivanov Bojadziev commenced his only music creation, shortly after World War One, when the traditional Church singing was eliminated from Macedonian Churches and replaced with Serbian folklore-based Church singing. This book is a result of a lengthy and arduous research of this monumental creation of Macedonian Church Singing, as well as Vasil Ivanov's life and authorship.
Jane Kodjabashia (1942) studied music theory at the Music Academy of Belgrade and solo singing / vocal studies at the Faculty of Music Arts in Skopje, Macedonia. He specialised Eastern Christian liturgical chant and Palaeography at the Music University of Bucurest, Romania, with professor Sebastian Barbu – Bukur, where he completed and defended his doctoral dissertation on “Music culture from Byzantine tradition on territory of Macedonia in 19th century”.
Jane Kodjabashia has written 12 books and a number of editorial columns in various specialised publications in Macedonia and internationally. At present, he is a professor of Church singing at two theological education centres: Orthodox Faculty of theology and Macedonian Orthodox Seminary in Skopje. For his research and scientific achievements, Jane Kodjabashia received the prestigious “13 November” award of the city of Skopje.